
Cutting dialogue like you mean it
When to stay on the speaker and when to cut away, without telegraphing the move.
Read the pieceWriting about the craft of post-production — short, practical, and aimed at people who actually edit.

When to stay on the speaker and when to cut away, without telegraphing the move.
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Tracking a face or a window without the audience ever noticing the mask.
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Zoom past 100 and you will find what the client will eventually find — check the texture there first.
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